Moosehead wants Canadians to think beer this holiday season
New OOH campaign from Conflict is promoting suds in the month of Decembeer.
New OOH campaign from Conflict is promoting suds in the month of Decembeer.
Shelley Smit named CEO, Noah Vardon becomes general manager of Omnicom Media Canada, while Cam Reston is leaving the company.
The new unit is led by industry veteran Emily Malloy.
The creative documents a young girl’s first journey to Disney World, thanks to the airline’s “Dreams Take Flight” program.
How the Los Angeles Dodgers star came to star in the hospital foundation’s annual holiday fundraiser.
New tool matches Bell’s audience data with Loblaw’s purchase records, providing proof of TV ads’ effectiveness.
The new “Wonders of Mars” display highlights products from across the Mars Snacking portfolio.
Holiday songs and filthy autos come together in a cheeky seasonal stunt.
Created by LG2, “As-Tu Du Beurre De Pinotte” features a funny cultural nod to a 1980s novelty song.
The Rethink campaign takes viewers on a cross-Canada tour of hockey communities.
DiPaola has shown he understands how agencies grow “by building stronger, more enduring client relationships,” said CEO Mike Da Ponte.
The first campaign “hijacked” construction hoardings and “Post No Bills” signs around Toronto.
Working with technology partner Mobian, G&M aims to recover ad dollars lost to overly aggressive brand safety systems.
Viewers cast more than 123,000 votes in Quebec’s annual Super Bowl of Advertising, which was won by a spot featuring beloved feminist icon Janette Bertrand.
The QSR will offer a $5 McValue Meal and a $1 McCafé through the rest of the year.
Campaign from Narrative XPR features Team Canada members Natalie Spooner, Emily Clark and Emma Maltais.
Developed by Jody Orsborn Medina, this year’s Recess Playbook features more than 220 pages of hacks, inspiration and, yes, AI commentary.
The account shift follows a “comprehensive” review process. VML will launch a new brand platform in February.
A 23% drop in TV advertising revenue at Corus is indicative of a troubling trend across Canadian media.
The new work for I Can’t Believe It’s Not Butter continues the Toronto agency’s push into the U.S.